致我母亲的死亡
- 主演：Birte Schnöink 埃尔希·德·布劳 Christian Löber
- 状态：HD
- 导演：杰西卡·克鲁马赫
- 类型：剧情片
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简介：
When the film begins, it is all over. “We know it’s terminal, and that’s all”, says Juliane of her mother Kerstin, who is in great pain and about to die aged just 64. Although the young doctor she consults acknowledges on a personal level that everyone has the right to manage their own death, he nonetheless reminds her that euthanasia is still illegal in Germany. This is even more the case at the Catholic hospice where Kerstin is staying. As relatives come to say goodbye to her mother and the emotions of memories mingle with the anticipation of grief, Juliane finds herself having to do battle with time – unbending, apathetic and monochrome – and this is superbly reflected in the convulsions of the handheld camera in wide shots.
Based on personal experience, Jessica Krummacher’s second feature film vividly relates the painful story of losing a parent. There is no violence or morbidity, rather the director describes the most important of events via the smallest, most fragile of details – the exchanging of words, texts and tender gestures that remain with us and get under our skin.
《致我母亲的死亡》详细介绍
分类：剧情片
状态：HD
上映时间：2022
视频更新时间：2024-04-06 03:28
国家/地区：其它
影片语言：其它
评分：3.0分
影片导演：杰西卡·克鲁马赫
影片演员：Birte Schnöink 埃尔希·德·布劳 Christian Löber
资源类别：高清无删减
剧情介绍：杰西卡·克鲁马赫 导演执导的《致我母亲的死亡》，该影片在2022其它发行，上映至今获得了较好的口碑， HD，由Birte Schnöink 埃尔希·德·布劳 Christian Löber 等主演的一部不错的其它的剧情片。
When the film begins, it is all over. “We know it’s terminal, and that’s all”, says Juliane of her mother Kerstin, who is in great pain and about to die aged just 64. Although the young doctor she consults acknowledges on a personal level that everyone has the right to manage their own death, he nonetheless reminds her that euthanasia is still illegal in Germany. This is even more the case at the Catholic hospice where Kerstin is staying. As relatives come to say goodbye to her mother and the emotions of memories mingle with the anticipation of grief, Juliane finds herself having to do battle with time – unbending, apathetic and monochrome – and this is superbly reflected in the convulsions of the handheld camera in wide shots.
Based on personal experience, Jessica Krummacher’s second feature film vividly relates the painful story of losing a parent. There is no violence or morbidity, rather the director describes the most important of events via the smallest, most fragile of details – the exchanging of words, texts and tender gestures that remain with us and get under our skin.
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